Gaetano Donizetti’s Don Pasquale
Composed: 1842
Don Pasquale's First Performance: January 3, 1843, Théâtre-Italien, Paris (France)
Language: Italian
Don Pasquale's Libretto: Giovanni Ruffini and Gaetano Donizetti based on Angelo Anelli’s libretto for Pavesi’s opera Ser Marc’ Antonio.
Don Pasquale's Setting: Italy
The Main Characters in the opera Don Pasquale
Basic Plot Summary of Donizetti's Don Pasquale
Don Pasquale is a wealthy, and lonely, old man who wants a bride. Don Pasquale wishes to disinherit his nephew, Ernesto, who is in love with the widow Norina. Pasquale goes to his friend, Malatesta, to help him find a wife so that he can leave his inheritance to his own children rather than his nephew. Malatesta, believing Don Pasquale is quite foolish, (and also being friends with Ernesto) offers to introduce him to his sister “Sofrinia.” (who happens to be Norina in disguise)
“Sofrinia” meets Don Pasquale, and he immediately falls in love with this quiet and shy bride. They sign the marriage contract, which leaves half of his possessions to his bride. As soon as the contract is signed, she becomes noisy, obnoxious, and demanding toward Pasquale (everything she was not before they were married) annoying Don Pasquale. Malatesta informs Ernesto of the scheme. Don Pasquale fears that he has made an awful mistake.
“Sofrinia” has gone to the theater (with Ernesto) without Don Pasquale, which angers him. He confronts her, and she slaps Don Pasquale, telling him that it is time to end the marriage. Norina drops a note from Ernesto. Don Pasquale enlists Malatesta to help him catch “Sofrinia” in the act of adultery by setting a trap. Ernesto is serenading Norina when Pasquale arrives to prove that “Sofrinia” was an adulteress. When Don Pasquale sees that “Sofrinia” is in love with his hated nephew, he blesses their marriage, happy to be free of the woman. “Sofrinia” is revealed to be Norina and Don Pasquale realizes that he has been duped.
Did you like this article about Don Pasquale? Please visit the article archives for more interesting articles about opera. Feel free to contact the Opera feature writer, Bryce by email if you have any questions or have any recommendations as to material you would like to see covered.